Each exhibition is an opportunity to make new work. This exhibition has been created specifically for the space in which it is displayed. Yo lo fi/Fe welais i, in part, pays homage to a creative friendship between Keith Bayliss and his long-time friend, the writer and teacher Malcolm Parr, which has proved to be of…
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Oriel Q, Narbeth: January 2016. This subject has fascinated artists for centuries – the story is an old and sadly continuing one. Aspects of its drama are enacted in some form each day with sometimes tragic consequences. A painting titled ‘Swsana’, produced many years ago by the artist was the starting point for this exhibition. The…
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There will be few people who do not feel in some way moved, emotionally involved even, when mention is made of The Children’s Crusade. Keith Bayliss has made large woodcut images of the children in progress through the book — as they did through Europe towards Jerusalem. At intervals in the progress the text, in…
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With Roger Moss & William Brown. So here she is, The Venus of Blaengwynfi loosely plundered by the Celtic tribes – even the Romans had their goddesses. Mother, Sister, “female”, the eternal – all these things if you know where to look. From Shelagh ’n Gigh to Rhiannon to Venus herself, the fetish exists. At…
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Voyage of the Heart. “As with much of my work Voyage of the Heart became a series of related woodcuts. I was musing on the idea that the Heart – depicted as a flying head – if allowed to roam free of the constraints of the body would travel, seeking new places to lay down…
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We are lost, spiritually adrift. We inhabit a world of road side shrines and makeshift memorials. Art provides a scrapbook resource of images removed from our experience, a place of reference but many of us cannot read them. But still they are important. They contain something essential. Keith Bayliss, 2011 Shrines are appearing everywhere.…
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Drawings in ink on paper on the theme of an individual moving through a landscape full of personal trials and tribulations – symbolised by a winged figure, which is both mischievous and cruel. The main character is on occasion, thankfully, able to give as well as receive. In the end some solace is achieved. A…
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These drawings in ink on paper were produced as a second response (the first was many years earlier in 1980 in pencil and gouache), now with Bernard Mitchell, to a translation by Malcolm Parr of Marcel Schwob’s version of The Children’s Crusade. These drawings formed the starting point for prompting the Old Stile Press to…
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A National Waterfront Museum Residency, in partnership with Mission Gallery Swansea It was a great pleasure to be invited by The National Waterfront Museum in association with Mission Gallery, Swansea, to set up a studio alongside the Stanhope Letter Press. I spent the month of February 2013 producing over thirty preliminary drawings in pencil and…
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